Stefán Hallur Stefánsson

The Deep

Based on an astonishing true incident that took place on the frigid seas off Iceland in 1984, The Deep fashions a modern-day everyman myth about the sole survivor of a shipwreck, whose superhuman will to survive made him both an inexplicable scientific phenomenon and a genuine national hero.

Iceland is Best

Bjorn

The story of Sigga, a 17 year-old girl trying to leave home in Iceland, and make her way to California.

The Flatey Enigma

Brynjar

Spring of 1971, Johanna, a professor of Nordic Studies comes home from Paris to attend her father’s funeral. She’s also looking to find work at the University, but her feminist viewpoints about the systematic silencing of women’s voices in history does not go over well with the university board.

Áramótaskaup: 2015

Áramótaskaup: 2015 is an annual Icelandic TV movie satirizing the events of the year.

Örstutt Jól

It is the night before Christmas and all through the decrepit school house nothing is stirring, not even a mouse. Well that is not exactly the truth, but what has happened in this weather beaten building in the barren Icelandic tundra is more akin to cruel fantasy than stark reality. A few days ago the participants of an experimental rehab clinic came there in order to cast out their inner demons, stay away from temptation and finally discover a little about their sober selves. That didn’t go quite according to plan, but they discovered Santa was real.

Autumn Lights

Sveinn

An American photographer adrift in a remote Icelandic community becomes entangled in the lives of a mysterious European couple.

Stormland

Viddi

The tragicomic story of lone rebel Boddi Steingrimsson who lives in a small town in Northern Iceland. Boddi hates materialistic modern society in its entirety and on his blog-page he comically criticizes everything and everyone. Before long he has become an outlaw in his own hometown, just like his viking hero, Grettir. After a series of dramatic mishaps, he snaps and goes riding down south to the big city on his sturdy steed Nietzsche. He's got a gun in his pocket. He's ready for the revolution.

Jóhannes

Grettir

Laddi leikur Jóhannes, myndlistarkennara sem upplifir dag sem ætlar engan endi að taka. Þessi ólukkudagur hefst á því að Jóhannes, af sannri riddaramennsku, stoppar fyrir ungri stúlku (Unnur Birna) í rigningu á Reykjanesbrautinni. Á vegi Jóhannesar verða ýmsir skrautlegir karakterar, bandbrjálaður öfundsjúkur kærasti, metnaðarfullur skólastjóri, óalandi unglingur og kostulegt lögregluþjónatvíeyki.

Family Reunion

Addi

New York-based Katrín is returning to her native Iceland for her grandfather's 70th birthday. Her family in Reykjavik unwittingly engages her in discussions about marriage, children and her future – while she sneaks in phone calls to her girlfriend in New York. As she struggles with coming out, events reveal that other family members have secrets of their own.

Reykjavík

Hjalti

A thirtysomething couple, Hringur and Elsa, are about to buy their dream house in downtown Reykjavík when the video store Hringur owns faces foreclosure. As the crisis threatens to split them apart, Hringur resolves to sort things out before it’s too late.

The Place

A promising high school kid is unjustly sent to the notorious juvenile prison of Iceland where he faces increasingly severe abuse from the head guard who is determined to brake his spirit.

The Box

The film tells the tale of a man named Kalli, a scruffy looking 30 year old, that lives in his brother’s garage. As he wakes up hung-over on the morning of his birthday. He finds to his surprise an over sized box in his living room. Inside the box is a very unusual birthday present from his brother Teitur. As Kalli opens the box, he discovers that the gift is a woman from East-Europe, that was mailed to him. As Kalli struggles to convince his brother that giving someone a mail-order bride on their birthday is not the right thing to do, he realizes what a sociopath his brother really is. And though he doesn’t want to admit it to himself, he too has some serious women issues and does not respect them as human beings. In the end the film shows how so many men treat women like objects. Although the film deals with serious issues it does so in a light and absurd way so the laughs are plenty and never far between.

Crew

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