Bruno Stagnaro

Director

June 15, 1973 (53 years)

Buenos Aires, Argentina.

Biography

Bruno Stagnaro (June 15, 1973) is an Argentine filmmaker. He has filmed, the award-winning 1997 Pizza, birra, faso stands out. Stagnaro is also widely recognized for his work as a writer and director of the classic television series Okupas, for which he was awarded the Martín Fierro award for best director of Argentine television of the year 2000.

Filmography

7.5

The Eternaut

After a devastating toxic snowfall kills millions, Juan Salvo and a group of survivors in Buenos Aires must resist an invisible threat from another world.

8.6

Okupas

During the year 2000, Ricardo, Pollo, Walter and Chiqui occupied a house in the Buenos Aires neighborhood of Congreso. The four young people forge a strong friendship that leads them to go through different stories of crime, drugs and social marginalization.

7.0

A Rooster for Esculapio

A young working-class man comes from Misiones (an Argentinian province) to Buenos Aires, with a fighting rooster, looking for his brother, and gets involved with low life characters, who introduce him to a world of crime.

6.9

Pizza, Beer, and Cigarettes

A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things don't go too well. One of the youths, Cordoba, whose girlfriend Sandra is pregnant, just wants to get enough cash so they can leave Argentina and get to Uruguay to start a new life. He and his friends plan one last robbery, but things don't go as planned.

9.0

Histories from Argentina En Vivo

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

7.0

Historias Breves I: Guarisove, los olvidados

A group of soldiers who naively went to fight in the Falklands War remains forgotten in those desolate lands a month after the end of the conflict.

7.0

Historias Breves 1

The film brings together the winners of the first edition of the Argentine National Film Board's (INCAA) annual public script competition, the grand prize of which is the budget to produce a short film. Eventually screened in national theaters, the omnibus film gave rise and recognition to a new generation of Argentine filmmakers known collectively as the New Argentine Cinema—a wave of contemporary filmmaking that began in the mid-1990s in reaction to decades of political and economic crises in the country.

4.0

Hoy me desperté

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