Travis Knight

Director

September 13, 1973 (52 years)

Hillsboro, Oregon, USA

Biography

Travis Andrew Knight (born September 13, 1973) is an American animator, producer, director, actor, and former rapper. The son of Nike co-founder Phil Knight has worked as the lead animator and current CEO for the stop-motion animation studio Laika, including directing the company's films Kubo and the Two Strings (2016) and the upcoming Wildwood (2025). He also directed the live-action films Bumblebee (2018) and the upcoming Masters of the Universe (2026). Knight received three nominations for th…

Filmography

7.1

Masters of the Universe

After being separated for 15 years, the Sword of Power leads Prince Adam back to Eternia, where he discovers his home shattered under the fiendish rule of Skeletor. To save his family and his world, Adam must join forces with his closest allies, Teela and Duncan/Man-At-Arms, and embrace his true destiny as He-Man — the most powerful man in the universe.

6.7

Bumblebee

On the run in the year 1987, Bumblebee finds refuge in a junkyard in a small Californian beach town. Charlie, on the cusp of turning 18 and trying to find her place in the world, discovers Bumblebee, battle-scarred and broken. When Charlie revives him, she quickly learns this is no ordinary yellow VW bug.

7.6

Kubo and the Two Strings

Kubo mesmerizes the people in his village with his magical gift for spinning wild tales with origami. When he accidentally summons an evil spirit seeking vengeance, Kubo is forced to go on a quest to solve the mystery of his fallen samurai father and his mystical weaponry, as well as discover his own magical powers.

N/A

Wildwood

Prue and her classmate Curtis are drawn into a forbidden magical forest filled with enchanted creatures, loyal allies, and formidable adversaries as they embark on a desperate quest to save Prue’s kidnapped baby brother, Mac, from the crows led by a mysterious woman named Alexandra.

N/A

Piranesi

Piranesi's house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

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