Rob Savage

Director

July 22, 1992 (33 years)

Shrewsbury, England, UK

Biography

Robert Savage (born July 22, 1992) is an English filmmaker. He is the founder of production company BOO-URNS. He is best known for directing the horror films Host (2020), Dashcam (2021) and The Boogeyman (2023).

Filmography

6.9

Britannia

An epic drama set in 43AD as the Roman Imperial Army – determined and terrified in equal measure - returns to crush the Celtic heart of Britannia - a mysterious land ruled by warrior women and powerful druids who can channel the powerful forces of the underworld. Or so they say.

6.1

Soulmates

Fifteen years into the future, science has made a discovery that changes the lives of everyone on the planet – a test that unequivocally tells you who your soulmate is.

6.4

The Boogeyman

Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late.

6.6

Host

Six friends hire a medium to hold a séance via Zoom during lockdown — but they get far more than they bargained for as things quickly go wrong. When an evil spirit starts invading their homes, they begin to realise they might not survive the night.

N/A

Other Mommy

A young girl, her family and their home are haunted by a sinister entity that is determined to take up residence inside her. But first, it needs to persuade her to let it in…

4.9

Dashcam

At the start of the pandemic, an indulgent and self-deluded livestreaming improv musician abandons L.A. for London, steals her ex-bandmate's car, and makes the fateful decision to give a ride to an elderly woman who is not what she seems.

6.7

True Horror

Docu-drama series depicting chilling tales of real life horror stories. Each filmic episode, realised by some of the UK’s most exciting writers and directors, tells a single, spine-tingling story, drawing on eyewitness testimonies, brought to life through straight-to-camera documentary interviews and visually-striking, elegantly realised and terrifying drama.

5.9

Dawn of the Deaf

On the eve of a catastrophic event which will wipe out the hearing population, we follow four deaf characters as they go about their daily lives.

N/A

Molepeople

One man’s nightmarish descent into the abandoned tunnels beneath the streets of New York City, where a twisted society lurks.

6.1

Salt

Each night, a mother must defend her sickly daughter from a demonic force. Her only weapon: a circle of salt.

5.8

Healey's House

A young couple travel from England to Scotland to address a haunting memory from their past.

5.2

Girls on Film 2: Before Dawn

An electric collection of the latest, award-winning lesbian and feminist short films exploring fantasies, dreams, desires, love and transgression. Featuring chance encounters, teenage lust, girl fighters, self-conscious dolls and rampant zombies alongside journeys of self-discovery, the fight for equality and a playful take on stereotypes. GIRLS ON FILM 2: BEFORE DAWN takes you on an incredible adventure from America to Australia through Iceland, the UK and Algeria into worlds beyond.

7.0

Absence

Absence offers a snapshot of a man mourning someone very close to him, and over the course of the film we get some clues as to the sinister cause of his grief.

2.0

Strings

A German exchange student begins an impulsive and ultimately destructive relationship with a shy British boy in her final weeks before returning to Munich and her warring family.

N/A

Sit in Silence

A man waits for his shift to end in a train station ticket booth while the world ends around him.

N/A

Touching from a Distance

A romantic moment shared between lovers...

N/A

I’ve Been Hearing Strange Noises from My Attic…

London-based horror film director Rob Savage hears strange noises coming from the attic of his house, so he video-calls a few friends and goes to investigate…

4.5

Act

An intimate conversation between a teenage couple is played out directly to camera. As we look into their eyes and faces we begin to see hidden motives at play, far removed from the naively idealised surface... Is it all just an act?

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