Carlos Alberto de Nóbrega

The Trapalhões

Vários

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Que História é Essa, Porchat?

Self

No description available

Lady Night

Self

A Praça é Nossa

Self - Host

A Praça é Nossa is a Brazilian comedy show broadcast by SBT. It was created in 1956 by Manuel de Nóbrega, with the name of A Praça da Alegria. It is based using a simple and practical scenario: a bench in a square garden, where several characters pass through. It debuted on television in 1957 on channel TV Paulista, being led by its creator until the beginning of 1970s. Until then the attraction already shifted by TV Record and TV Rio. After a while off the air it was broadcast again at 1977-78 by Rede Globo, this time by Luís Carlos Miele. In 1987 the program was revived at Rede Bandeirantes with the title Praça Brasil, presented by Manuel's son Carlos Alberto de Nóbrega. After four episodes, Carlos Alberto moved to SBT, where he set up a new program with the same format: A Praça é Nossa. The comedy debuted in 7 May 1987. The show has remained on the air since its debut. Actor Clayton Silva was a series regular from 1987 until 2013.

Press Awards

The Press Awards, also known as the Troféu Imprensa, are presented annually by SBT, to honor the best Brazilian television productions, including telenovelas.

Hebe

Self

No description available

Chico Anysio: Um Homem à Procura de Um Personagem

Self

No description available

Programa da Maisa

Ele Mesmo

No description available

Câmera, Close!

Himself

No description available

StoryJester

Ele mesmo

Paulinho Gogó narrates his stories on a park bench for different listeners, while waiting for the arrival of his beloved Nega Juju.

Os Parças

Toninho La Paz

After a notorious crook pressures four pals to organize a memorable wedding party for this daughter, they decide to go all in and open an agency.

A Escolinha do Golias

Professor Cagliostro

A Escolinha do Golias was a Brazilian television program presented and produced by SBT between 1990 and 1997. Returned to be displayed by SBT in 2007, in the schedule of the El Chavo.

Agência Lig-Pag

No description available

Cazalbé: O Herdeiro da Graça

Self (archive footage)

No description available

What are you Laughing At? Humour and Dictatorship

Self

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

Top Love

Gerente Banco

All was going well in Paulinho Gogó's life, until Nêga Juju, his beloved, leaves him. As the saying goes: bad luck in love, good luck in the game. Paulinho and his friends make fortunes through betting, yet he is not satisfied. Many twists and turns, Paulinho realizes that to be happy, he just needs to pursue his dream: play samba with his friends at his favorite bar, where he finds his new love.

Boca do Lixo: A Bollywood Brasileira

A documentary on Boca do Lixo, a dowtown São Paulo square that became a tentpole for film distribution on the early 20th century, becoming, from the 1960s on, a production district for popular eroctic films and for avant-garde directors.

Romeu e Julieta

Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.

Golias Contra o Homem das Bolinhas

The adventures of a peaceful and infatuated man, who tries to identify the man who killed his sweetheart, an unconventional young woman who used to receive "guests" at home, calling them her cousins.

Golpe de Ouro

Self

After the coup of 1964, the media conglomerate Diários Associados organized a campaign called "Gold for Brazil," exhorting the people to donate wealth to the military government. The symbol of the campaign was the wedding ring, sealing the union between the people and the State. The film picks up the trail of the millions collected, but never channeled back into society.