Timothy Quay

Director

June 17, 1947 (79 years)

Norristown, Pennsylvania, USA

Biography

Timothy Quay was born in 1947 in Norristown, Pennsylvania, USA, as the identical twin of Stephen Quay. He studied at the Philadelphia College of Art and later at the Royal College of Art in London, where he began working with his brother in experimental animation. Timothy has directed and co-directed numerous short films, feature films, and stop-motion projects, including Nocturna Artificialia (1979), Street of Crocodiles (1986), Institute Benjamenta (1995), and The Piano Tuner of Earthquakes (2…

Filmography

5.7

Sanatorium Under the Sign of the Hourglass

Jozef embarks on a journey via a ghostly train to visit his dying father in a remote Galician sanatorium. Upon arrival, he discovers that the sanatorium exists in a realm where time is distorted—his father's death has not yet occurred, as time here lags behind the outside world by an undefined interval. Jozef's experiences become increasingly fragmented and dreamlike as he confronts various manifestations of his father, each representing different aspects of their relationship and his own psyche.

7.8

Institute Benjamenta, or This Dream People Call Human Life

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school's operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There's a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

6.3

The Piano Tuner of Earthquakes

Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.

6.3

The Sandman

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

6.0

The Doll's Breath

Afraid of losing his wife, Horatio creates a replica he calls Hortensia. But things don't go as planned... Shot on 35mm and propelled by an impressive score by Michèle Bokanowski, the Quay Brothers evoke an intense drama of jealousy, betrayal and murder, revolving around a window dresser's obsession for a life-sized doll.

6.9

Stille Nacht IV: Can't Go Wrong Without You

Short animated film featuring the song "Can't Go Wrong Without You" by His Name Is Alive.

5.0

Rain Dance

A farming family and their livestock dance during a much-needed downpour in this Quay Brothers short made for Sesame Street.

6.9

The Cabinet of Jan Švankmajer

In Prague, a professorial puppet, with metal pincers for hands and an open book for a hat, takes a boy as a pupil. First, the professor empties fluff and toys from the child's head, leaving him without the top of his head for most of the film. The professor then teaches the lad about illusions and perspectives, the pursuit of an object through exploring a bank of drawers, divining an object, and the migration of forms. The child then brings out a box with a tarantula in it: the professor puts his "hands" into the box and describes what he feels. The boy receives a final lesson about animation and film making; then the professor gives him a brain and his own open-book hat.

6.5

In Absentia

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come."

6.6

Street of Crocodiles

A puppet, newly released from his strings, explores the sinister room in which he finds himself.

6.7

Rehearsals for Extinct Anatomies

Stop-motion animated short film in which, among other things, a man made of wire looks malevolent.

6.6

Anamorphosis

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.

7.0

Maska

The movie is set in a technologically developed but, at the same time, feudal world. Beautiful Duenna was created in order to carry out certain mission. However, she will be forced to choose between accomplishing the task she was created for and love.

5.3

The Summit

Two men seek to negotiate an agreement of international significance.

6.5

Alice in Not So Wonderland

The story of Alice in Wonderland, explored in the stop-motion world of the Quay brothers.

6.4

The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection

A display at the strange and wonderful artifacts in a collection of medical curiosities.

6.7

The Comb

A porcelain doll’s explorations of a dreamer’s imagination.

6.4

The Calligrapher

With harpsichord music in the background, a dandy, seated at a table, plucks a quill pen from a ceiling full of them above him, dips it in ink, thinks, then draws a straight line down the page in front of him, out of which sprout six more quill pens, each held by a hand. The calligrapher moves all the hands and pens in unison, drawing an elaborate feathered wing, which comes to live, peeling off the page, and, now a quill pen, slips in to his hand. He tucks it behind his left ear.

6.4

Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum)

A documentary on the subject of the collections of books, instruments and medical anomalies at The College of Physicians of Philadelphia and the Mutter Museum housed there. This short film represents the first to be made by the internationally recognized Quay Brothers in the United States. While not a stop-motion animation film, a form for which the Quays are best known, the entire film is vibrantly constructed and 'animated'. Musical score by composer Tim Nelson and voice-over provided by Derek Jacobi.

5.2

Songs for Dead Children

Another short, grainy film from the Quay Brothers. This one has funny singing in it.