Giuseppe Piccioni

Director

July 2, 1953 (72 years)

Ascoli Piceno, Marche, Italy

Biography

Giuseppe Piccioni is an Italian filmmaker, best known for his melancholic urban romance dramas such as Not of this World (1999), Light of My Eyes (2002) and Giulia Doesn't Date at Night (2009).

Filmography

5.1

Venice 70: Future Reloaded

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

4.4

Love, Money and Philosophy

Stefano, a philosophy grad student without a future, tries to commit suicide after his girlfriend leaves him. He is saved by Giulio, a wisecracking plumber who takes him home and teaches him the tricks of the trade. When Lucia, a woman disappointed in both men and conventional jobs who has started to work as a prostitute, calls them to repair a sink, for Stefano it's love at first sight.

6.5

Not of This World

The rumpled owner of a dry-cleaning firm joins forces with a nun to care for an abandoned baby.

6.0

The Red and the Blue

In a Roman high school, a jaded art professor who lost the spark for the job clashes with an ex pupil of his, an adjunct literature teacher who is trying to rescue an eccentric and rebellious student, while the stern headmistress deals with a student from a difficult background.

6.8

The Life I Want

A relationship develops between seasoned actor Stefano and his young, ambitious co-star Laura when they are cast as the two leads in a film. Stefano must deal with his growing jealousy when Laura's career begins to take off.

4.5

Condemned to Be Wed

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

6.7

Zvanì - Il romanzo famigliare di Giovanni Pascoli

1912. Giovanni Pascoli has died, and a train leaves from Bologna for his funeral. On board, students, officials, and family, including his sister Maria, called Mariù. It is a journey of national mourning, with people from all social classes paying homage to the poet. In Mariù’s recollections, we learn how Giovanni lived: his father’s assassination, his poverty as a youth, his political activism and fraught ties to Giosuè Carducci.

7.3

The Great Blek

Waiting for the train that will take him away, a man goes back over moments of his small-town upbringing: the relationship with his family, his involvement in the protests of 1968 and a childhood friend died too soon.

6.4

The Shadow of the Day

In 1938 Italy, after Jews are banned from public life, fascist-abiding restaurateur Luciano nonetheless believes he can still live by his own rules. Everything changes when Anna, a girl with a dangerous secret, begins working at his business.

6.7

Light of My Eyes

Antonio is a fallen angel, a rootless chauffeur who relates only to the lonely heroes in the science fiction novels he grew up with. Only through a chance meeting with Maria, a woman struggling to hold onto her daughter and her business, does he discover a hope that's been in his detached existence.

4.5

These Days

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

5.6

Ask for the Moon

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

6.4

Giulia Doesn't Date at Night

Guido, an acclaimed writer, leads a seemingly perfect life with his wife and daughter, but his restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor who's hiding a secret.

6.0

Preghiera della sera (Diario di una passeggiata)

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

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