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Director
Isiah Medina was born in 1991. He grew up in the West End of Winnipeg.
As he mulls over the budget for his new film, director-gangster Clem sends his artist cronies after an old comrade rumoured to be a leaker.
During a period of exuberance and uncertainty, a group of artists and critics grow into new ideals and ways of thinking, as the old forms are no longer satisfying.
The clean 16mm image is processed normally in a lab, but the tinting and toning was done via 'green' processing with flowers. The shooting and hand developing with flowers was done by Philip Hoffman. It was scanned and then digitally edited by Isiah Medina.
Demand full automation, demand a reduced work week, demand universal basic income, destroy the work ethic.
Trees, farm fields with animal livestock, ponds and plants, and natural artefacts disappear in the flicker effect of landscape compositions where sweeping branches carve moving structures into the viewer’s memory, and the transformations of living image threads remind us of the inexhaustible visual exuberance of meadows and grain.
A painter plots a heist to steal back his own painting from the same museum vault where a filmmaker is shooting their next project.
88:88, —:—, flashes, demonstrating those who live in poverty live in suspended time.
Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.
Everything is in constant conversation, even if we can't find the words to express ourselves. Let's help each other find in this collective search.
After school the debt remains. But knowledge has always preceded it and will surely outlast it. This claim continues to prove itself with the tranquility of Fare Well (2012)) —which stretch the information of frames into the rays of a new sun, and desaturate and increase the contrast of frames to conjure up new stars
The philosopher is a child born under the divorce of being and thinking.
Being is the same as thinking. How many ways of saying this same thing are there?
clipping, noise, and other distortions are encounters with the threshold of photographic realism. the inner-workings of the systems we employ to generate adequate representations of the world become represented themselves in their failure - Isaac Goes
The temporality of the real unbinding of the poverty-rabble follows a logic of eternity because at no time can the poor rabble re-enter legal and statist contexts if the possibility of accumulating property has also been lost. Its time is eternity because only the poverty-rabble presents the paradigm of absolute and complete unbinding.
Processed with conventional photo chemicals and the following flowers: magnolia blossoms, hyacinth, hydrangea, daffodil, rhododendron, pond algae, lilac, oregano (with blooms), comfrey (with blooms), roses, mint, goldenrod, hostas buds after flowering, and wild garlic seeds (a bowlful).
A silent flicker film that mixes digital and celluloid. Its only available description is the letters 'kd'.
We're just trying to open the chains. Each morning, trying to be open and break the chains.
Towards and inwards - I lost perception of time and thought while acquiring a new mattress
The infinitesimal in the infinite reflection of a camera recording. We touch and we make the sun: we make time.
Kanye takes the mic, Isiah takes the stand
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