Henri Storck

Director

September 5, 1907 (92 years)

† September 17, 1999

Oostende, West Flanders, Belgium

Biography

From Wikipedia, the free encyclopedia Henri Storck (1907, Ostend – 17 September 1999) was a Belgian author, film-maker and documentarist. In 1933, he directed, with Joris Ivens, Misère au Borinage, a film about the miners in the Borinage area. In 1938, with Andre Thirifays and Pierre Vermeylen, he founded the Cinémathèque Royale de Belgique (Royal Belgian Film Archive). He was an actor in two key films of the history of the cinema: Jean Vigo's Zéro de conduite (1933) in the role of the priest,…

Filmography

6.9

Zero for Conduct

In a repressive boarding school with rigid rules of behavior, four boys decide to rebel against the director on a celebration day.

6.5

Pilgrimage to Hell

Biopic about Father Damian and his life and work on the island of Molokai.

5.8

Smuggler's Ball

Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France. It is here that the worldly Pierre (J. P. Kieran) carries on a profitable smuggling operation, all the while romancing Siska (Christian Lenier), the daughter of a local customs official. Various subplots and secondary characters weave in and out as the plotline guides the viewer through the WW II years. Towards the end, the story shifts gears when the Benelux Frontier Agreement eliminates all government regulations. The film's screenplay is by Charles Spaak, himself the descendant of a Belgian political family, and thus well-versed in bureaucracy and red tape.

6.3

Borinage

Henri Storck and Joris Ivens’ landmark of social documentary, blending staged scenes with locals and on-the-spot reportage to depict the 1932 miners’ strike in Belgium’s Borinage—evictions, hunger, and police repression—transforming outrage into a call for solidarity.

6.7

Dainah the Mixed

After three weeks and a long, hot voyage across the Pacific, an ocean liner finally arrives at its destination, Ecuador. That evening, the event is marked by a masked ball and a magic show.

5.8

Rubens

This surreal abstract film falls into three sections, or movements, the first taking place on the ground, the second in the air and the third again on the ground. In the first movement various motifs or themes are introduced, which are again picked up and developed in the third movement. Six spheres, evolved in the first movement, become the sole subject matter–or “dancers”–of the second movement, which consists of a simple type of ballet using the floor-plan choreography or traditional ballet as a basis of interest.

6.0

The Open Window

One of the first European films commissioned by the countries that signes the Brussels treaty and filmed in the museums of Brussels, Amsterdam, Paris, London, Ghent and The Hague. The film shows, by means of 59 works of art, how painting discovered the landscape once it left the strictly religious context behind. Henri storck wrote, "We have tried to eliminate the artificiality of filming. We have tried to hide the camera in order to immerse the audience in the world of the painting and the landscape that it depicts. We want the viewer to discover the feeling of nature for himself, through the artists.... It is not our ambition to make a critical or informative work." This iconic journey from Bosch to Manet and Turner is accompanied by music by Georges Auric.

5.9

For Your Beautiful Eyes

"Pour vos beaux yeux" (For Your Beautiful Eyes) is an eight-minute surrealist short by Henri Storck, conceived from an idea by Félix Labisse. In just 75 shots, it follows a young man who discovers a glass eye in a park, becomes consumed by its strange allure, and tries in vain to rid himself of it by mailing it away. Featuring Henry Van Vyve in the lead role, with cameo appearances by Labisse and his sister Ninette, the film stands as a playful yet unsettling exploration of obsession and absurdity—released only a year after "Un Chien Andalou."

6.0

Meeting of Artists

A family film, a short summer film, made to record the joy of being together. But what a family! Léon Spilliaert, Paul Delvaux, Edgar Tytgat and his wife Maria, Luc and Paul Haessaerts. A garden, some seats and a camera that films the group of friends. They talk (given all the jollity, laughter and gestures seen it is a shame that it is a silent film). A period document only a few minutes long, a witness that puts names to faces, a reminder of a sunny afternoon. Emotion that loses itself in the moment.

5.8

Houses of Poverty

Henri Storck’s militant short on Depression-era Belgium, set in Walloon slums on the outskirts of a prosperous city. Staged vignettes expose substandard housing, overcrowding, and numbed survival through claustrophobic, frame-filling images; a coda on slum clearance and “garden city” rehousing offers guarded hope.

N/A

Herman Teirlinck

A portrait of the belgian writer Herman Teirlinck by Henri Storck.

5.0

The World of Paul Delvaux

This was Henri Storck first art documentary, a portrait about the painter, Paul Delvaux.

8.3

Story of the Unknown Soldier

Built from 1928 newsreels—the year 60 nations vowed to outlaw war—Storck’s razor-edged montage mocks the era’s self-congratulation by cross-cutting speeches and parades with portents of renewed violence: nationalism, colonial repression, police brutality. Slow-motion collapsing chimneys and the exhumation of an “unknown soldier” give the satire its sting.

N/A

Ostend, Queen of Seaside Resorts

A montage drawn from 35 reports Henri Storck filmed in 1930 as the city’s official cinegraphiste. The film celebrates Ostend as a place of joy and vitality—by day and night a city of beaches and parties, of sports, games, and the special pride of belonging to this seaside resort.

N/A

Summer by the Sea

A lyrical promotion of Belgium’s North Sea coast that alternates teeming promenades and playful beach games with elegant seafront vistas; shot by John Fernhout and set to Marcel Poot’s score, with commentary by Éric de Haulleville.

N/A

Ieper - Middelburg - Arras

Documentary directed by Henri Storck. The film follows several groups of tourists on a visit to different sites in Belgium, the Netherlands and France. The groups tours with buses of the Ostend Department of British Travel (British Traval Office Ostend).

7.0

Pleasure Trips

The beach and the bathers, poses and gestures. A series of sketches and portraits, little touches that build up into a wry, affectionate portrait of a Sunday at the beach.

N/A

Feesten in België

Henri Storck: “The General Commissariat for Tourism had organized a ‘Year of Folklore’ and, on that occasion, asked me to make a series of films devoted exclusively to this form of popular culture.” 1.Carnaval van Oostende - 2.Vastenavond te Aalst - 3.Carnaval van Malmédy - 4.Straattoneel in Malmédy - 5.De Gilles van Binche - 6.Meiboomplanting en Passiespel door de marionetten van Toone in Brussel - 7.Heilige Bloedprocessie in Brugge - 8.De 'witte Moussis' van Stavelot en de kermis van Bergen - 9.Passiespel in Lessen en Ligny. Halfoogst-feesten in Outre-Meuse (Luik) - 10.De Chinels van Fisse-la-Ville. De 'Grootjes' van La Louvière. Het ontploiffen van Kruipotten in Luik.

N/A

Daytrippers

A silent seaside vignette from Henri Storck: weekenders (“day-trippers”) descend on the Belgian coast for brief escape—bathing huts, crowds, and playful beach routines rendered in quick, observational fragments.

N/A

Le Trois-Mâts Mercator

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