Noor Jehan

Sound

September 21, 1926 (74 years)

† December 23, 2000

Kasur, Punjab, British India

Biography

Noor Jehan (September 21, 1926 – December 23, 2000), also known by her honorific title Malika-e-Tarannum (Queen of Melody), was a widely-admired Pakistani playback singer and former actress whose career lasted for more than half a century. She started in British India in the 1930s but moved to Pakistan with its inception, and came to be considered one of the greatest and most influential singers in Indian subcontinent history. She holds the record for having given voice to the largest number of …

Filmography

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Jab Jab Phool Khilay

Stars Zeba, Mumtaz, Waheed Murad, Mohammad Ali and Nadeem.

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Once Upon a Night

After one brother assaults a mountain woman, the other falls in love with her. As she struggles between love and trauma, she must protect her illegitimate child from a harsh and judgmental society.

7.7

Heer Ranjha

An epic Love story in which two lovers Heer and Ranjha get along with each other but unfortunately their Love story is not easy. Ranjha fights his way to get Heer but he is not able to do so.

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Daman Aur Chingari

About a tragic love triangle involving two loyal friends. When wealth, greed, and family honour force them apart, they must make heartbreaking sacrifices.

6.9

Jawani Phir Nahi Ani

The movie revolves around three childhood friends, who are married and settled in their lives but are afraid of their wives.

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Dullah Haidri

A re-make of Dulla Bhatti (ਦੁੱਲਾ ਭੱਟੀ), of 1956.

8.0

Dosti

A Pakistani man goes abroad his country for earning money.

10.0

Khaibar Mail

Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region

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Insan Aur Aadmi

Film starring Zeba and Mohammad Ali.

10.0

Mangti

Mangti (1961) is a Pakistani Punjabi drama film directed by Ashraf Khan and released on May 26, 1961. The film stars Bahar Begum, Aslam Pervaiz, and Sultan Rahi, featuring music by Saif Chughtai

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Tasvir

Film starring Sabiha Khanum and Santosh.

9.0

Khandaan

A young man gets jailed for killing a woman who seduces him. When he gets released, he tries to stop his employer's son from committing the same kind of crime he did.

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Bahisht

Khalid and Rehana come across each other in their college, where they fall for each other after the usual bantering, and get married. Rehana who belongs to an upper-class family in contrary to Khalid, faces hurdles in the marriage created by Sarkar Maa (Khalid's mother). She compromise and tries to save her married life, until she loses her unborn due to her mother-in-law's cruel behaviour. After the incident, she decides to separate from Khalid and leaves him.

10.0

Bhabhi

The Urdu film Bhabhi (1960) was directed by Syed Atta Ullah Shah Hashmi. Starring Shamim Ara and Aslam Pervaiz in leading roles

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Baazar

Film starring Nisho and Tariq Aziz.

10.0

Darwaza

No description available

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Aansoo (Tears)

It follows a young couple whose deep romantic bond is shattered when wealthy societal expectations and parental disapproval force them apart.

7.0

Ghoonghat

Shahid is betrayed by his wife who ran away from him at the 1st night of their wedding and after this he becomes a loner and alcoholic.

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Laila Majnu

Two lovers, Qais Aamri and Laila Bint Sarwar, from Nakhlistan, are unable to unite as Qais face opposition from Meet Sarwar, Laila's Father. However, when fate intervenes, Laila gets married to Shehzada Bakht while Qais goes to wanderness.

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Mafroor

The law, meant to bind society, can become a suffocating cage. A 'fugitive,' in legal terms, is one who breaks free. But not all who flee are criminals. Some are victims, driven to desperate measures by the very system designed to protect them. When the privileged wield their wealth and influence to twist the law, they ensnare the innocent in a web of injustice. Forced to choose between captivity and escape, they become labeled 'fugitives.' 'Fugitive' (Mafroor) confronts this reality, exploring the social injustice that transforms the innocent into outlaws.