María Galiana

Cuéntame cómo pasó

Herminia López Vidal

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La resistencia

No description available

La Revuelta

Self - Guest

David Broncano, along with Jorge Ponce, Ricardo Castella and his other collaborators, lead La Revuelta, a comedy show that includes multiple sections and interviews from the Teatro Príncipe Gran Vía in Madrid.

Tapas

Doña Conchi

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.

My Dearest Señorita

Adelina

A young woman from a traditional family learns she's intersex, sparking a journey of self-discovery, gender identity and love found in unexpected places.

Atasco

Abuela

A major traffic jam throws thousands of citizens on the outskirts of Madrid into chaos, disrupting their plans. This everyday situation will be the starting point for unexpected, comical, and emotional plots.

Ochéntame... otra vez

Self - Interviewee

Documentary series that reviews cultural, social and political events that took place during the 80s in Spain.

Belle Époque

La Polonia

In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.

La luz

Madre

No description available

The Seducer

Encarna

Cosme, a 15-year-old boy, sets his sights and his libido on his new neighbor, Merche. After giving her a lift on his moped, and getting a glimpse of her underwear, he begins to look for excuses to wander next door. He manufactures illnesses to stay home from school and uses his free time to ogle her while she sunbathes outside. His efforts to sustain a relationship that leads to the bedroom are hampered by his amusing family, sabotaged by the maid, and jealously noted by his high school girlfriend.

No Pain, No Gain

Abuela

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

La Mari

Genara

Intimate story of love and sacrifice of an Andalusian immigrant lady in Catalonia from the 60's

Freedomfighters

Superiora

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

Roma

Portera

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

Ojos verdes

Profesora de cante

The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.

The Wooden Box

Doña Josefa

After the death of don Lucio, his widow Eloísa asks one of her neighbours to use the latter's house in order to hold the dead man's wake, since Eloísa's own house is too small for that. From then on, a series of strange happenings take place during a single day.

Alone

Madre

Maria has just moved into a decaying flat in a poor neighbourhood. She left her family in the countryside because she could no longer stand her father's authority. Pregnant by a man who refuses to see her, Maria gets by as a cleaning-woman. When her father is brought to the city for an operation, her mother moves into her flat.

Black Society

Esperanza Carrión

LIANG HUAN is a young man with a Chinese mother and a Spanish father who grew up in the suburbs of Barcelona. He makes a living giving as a kung fu teacher and dealing with his neighborhood friends: PARDALES, a thief by profession who is like a cat with nine lives, and TRACAS, a drug dealer who is dim-witted, but with a big heart. Liang's great love is PEI LAN, a beautiful and mysterious student who attends his classes. What LIANG doesn't know is that Pei Lan is the daughter of SOONG, head of the Chinese mafia in Barcelona, whom she hopes to succeed one day. In order to get Pardales out of his regular prison visits, Liang acts as a confidant of MONTSE GELABERT, a police inspector who is after the Chinese mafia for having killed her family years ago.

Más allá del jardín

Ramona

Palmira, a woman belonging to the Sevillian aristocracy, as well known for her decrepitude and hypocrisy as the rest of her population, enters into an emotional crisis when she reaches maturity.

The Longest Night

Madre de Juan

Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.