Hal Hickel

Visual effects

Bailey, Colorado, USA

Biography

Hal T. Hickel is a visual effects animator for Industrial Light & Magic. At the age of 12, Hickel wrote a letter to Lucasfilm, outlining his ideas for a sequel to the original Star Wars movie (now known as Star Wars Episode IV: A New Hope), and received a polite rejection letter from producer Gary Kurtz. The letter now hangs on the wall of Hickel's office at ILM. Twenty years later, Hickel found himself working on Star Wars after all, as a lead animator on Star Wars: Episode I – The Phantom Men…

Filmography

7.8

LIGHT & MAGIC

Self - Animation Supervisor, Iron Man

When George Lucas set out to make Star Wars, little did he know he would end up revolutionizing an industry. This is the story of a team of creative geniuses who put the magic in the movies we love.

7.4

Disney Gallery / Star Wars: The Mandalorian

Self - Animation Supervisor

Executive producer Jon Favreau invites the cast and crew of The Mandalorian to share an unprecedented look at the making of the series. Each chapter explores a different facet of the first live-action Star Wars television show through interviews, never-before-seen footage, and roundtable conversations hosted by Favreau himself.

5.6

The Stories: The Making of 'Rogue One: A Star Wars Story'

Self

The Stories: The Making of 'Rogue One: A Star Wars Story' is a 2017 documentary detailing the production of the standalone Star Wars film. The featurette explores the creative process, behind-the-scenes challenges, and collaborative efforts of the cast and crew in bringing Rogue One to the screen.

6.8

Claydream

Self

A modern day Walt Disney, Will Vinton picked up a ball of clay and saw a world of potential. Known as the “Father of Claymation,” Vinton revolutionized the animation business during the 80s and 90s. But after 30 years of being the unheralded king of clay, Will Vinton’s carefully sculpted American dream came crumbling down. Structured around interviews with this charismatic pioneer and his close collaborators, the film charts the rise and fall of the Academy Award and Emmy winning Will Vinton Studios.

6.8

From Puppets to Pixels: Digital Characters in 'Episode II'

Self

For Star Wars: Episode II - Attack of the Clones (2002), there were to be many more visual effects than in Star Wars: Episode I - The Phantom Menace (1999). This documentary shows many VFX meetings between George Lucas and ILM. Many of these meetings focus around the creation of a completely digital Yoda, used for the first time in the Star Wars films.

You've seen it all! · 5 titles displayed