Jean-François Lachapelle

Crew

Biography

No biography available.

Filmography

8.0

What We Do in the Shadows

Fake Nandor

A documentary-style look into the daily (or rather, nightly) lives of a group of vampires in Staten Island who have “lived” together for hundreds and hundreds of years.

7.3

The Dead Zone

Police Deputy #2

Johnny Smith discovers he has developed psychic abilities after a coma.

6.8

STAT

Cascadeur chauffeur

The daily lives of the personnel of the St-Vincent hospital in Montréal.

7.6

Blue Mountain State

Beer Helmet Guy

Three incoming freshman in a big-time, Midwestern college football program have to juggle football, girls, class and nonstop hazing.

5.6

Pompeii

Milo's Father

In 79 A.D., Milo, a slave turned gladiator, finds himself in a race against time to save his true love Cassia, the beautiful daughter of a wealthy merchant who has been unwillingly betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts in a torrent of blazing lava, Milo must fight his way out of the arena in order to save his beloved as the once magnificent Pompeii crumbles around him.

6.7

40 Acres

Burial Ground Cannibal #1

Hailey Freeman and her family are the last descendants of African American farmers who settled in rural Canada after the Civil War. In a famine-decimated near future, they now struggle to safeguard their farm, as they make one last stand against a vicious militia hell-bent on taking their 40 Acres.

6.0

Musée Éden

Bagarreur

The story takes place in 1910 in Montreal, Quebec, while a killer terrorized the city. In the same period, Florence and Camille Courval, two sisters originating in French Manitoba inherit the Eden Museum, where statues of wax in connection with criminal news are housed.

6.0

Truffle

Homme-frigo (vitrine) #6

Chaos ensues after global warming transforms a working-class Montreal neighborhood into a world Mecca for truffles.

7.0

10½

Agent du Centre

Tommy, 10 years old, is well known by Social Services. He is considered a danger to society. Gilles, his guardian at this halfway house, sees potential for redemption in this kid driven by violence.

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