Maricruz Nájera

Los ricos también lloran

María

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

Head over Heels

Josefa

A man's budding romance with a beautiful woman is sabotaged by his evil twin, but they get another chance at love when they're reunited years later.

Deceptions

Emiliana

The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers.

Para Volver a Amar

Confesión

Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.

A Shelter for Love

Matilde

Un refugio para el amor is a Mexican Spanish-language telenovela produced by Ignacio Sada Madero for Televisa. It is a remake of the Venezuelan telenovela La Zulianita, written by Delia Fiallo and adapted by Nora Alemán and Georgina Tinoco. Zuria Vega and Gabriel Soto star as the main protagonists, while Jessica Coch, Humberto Elizondo, Laura Flores and Frances Ondiviela star as the main antagonists.

La fiera

Angelina

No description available

En Tierras Salvajes

Rosa

No description available

El patrullero 777

Vecina de hombre suicida (uncredited)

Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.

Highway Patrolman

A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

El Quelite

(uncredited)

Agapito, leader of the revolutionary movement of his state, comes to a town, kills all the federales, and gets a girl who was promised to him for his heroic deeds.

Men with Guns

Rich Lady

Dr. Fuentes is a medical professor approaching his retirement and journeys to find old students, with sometimes disturbing results.

Emiliano Zapata

This is the story of a man, Emiliano Zapata, and of a revolution, the Mexican Revolution.

El principio

María

Mexico is in the midst of Revolution when the protagonist returns after studying in Paris to find his native town in Chihuahua occupied by Francisco Villa’s revolutionary forces. He visits his deserted home and remembers people and events from his adolescence that provide glimpses of pre-Revolutionary society under dictatorship: his uncle, the chief of police; his sister’s involvement with a liberal political association; bathing with the girls from a local brothel; a labor strike that ended in a massacre. Returning to the present he discovers that his father has been assassinated and, in the company of his father’s former servant, joins the revolutionary movement.

Las asesinas del panadero

Mexican feature film

Zuzanka's Game

Mexican feature film

The Days of Love

In the 1920s, Mexico was still in a state of near-chaos. Rebellions and revolutions had followed one after the other for decades. Though things were beginning to settle down some, it was still a time when one had the feeling that anything could happen.