Paul Laverty

Writer

January 1, 1957 (69 years)

Biography

Paul Laverty (born 1957) is an Indian-born Irish and Scottish screenwriter and lawyer best known for his collaborations with Ken Loach. He has won the Cannes Film Festival Award for Best Screenplay and was a nominee for the Best Screenplay award at the BAFTAs. Description above from the Wikipedia article Paul Laverty, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

7.3

The Wind That Shakes the Barley

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

7.7

I, Daniel Blake

A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.

7.0

Sweet Sixteen

Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.

7.3

Sorry We Missed You

Ricky and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self-employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.

6.9

The Angels' Share

Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives.

7.2

The Old Oak

A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.

7.0

Even the Rain

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

6.8

Carla's Song

A Glasgow man visits war-torn Nicaragua with a refugee tormented by her memories.

6.4

September 11

An anthology of short films inspired by the events of the September 11 World Trade Center attacks.

6.7

The Olive Tree

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

6.5

Ae Fond Kiss...

A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.

6.0

Route Irish

A private security contractor in Iraq rejects the official explanation of his friend's death and decides to investigate.

6.3

Bread and Roses

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.

7.3

My Name Is Joe

Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in one of the toughest Glasgow neighbourhoods.

6.9

Yuli

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

6.8

Jimmy's Hall

Jimmy Gralton returns from New York and reopens his beloved community hall, only to meet opposition from the local parish.

6.5

Looking for Eric

A man trying to put his life back on track gets some advice from an unexpected benefactor -- the ex-footballer Eric Cantona.

6.6

It's a Free World...

Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.

4.8

Cargo

A young backpacker gets into some trouble in Africa and stows away on a cargo ship heading to Europe.

6.5

Tickets

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.

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