Dajana Čuljak

Crossing Lines

Clara Savio

Through globalization, many countries have been opened and barriers removed to ensure easy trade, travel and cultural diversity. However, this openness has given opportunities to criminals looking to exploit the system and ultimately threaten our global safety. As Europe has become a "safe house" for criminals eluding law enforcers, a special kind of law enforcement team is needed to handle specific ongoing crimes on a global level. "Crossing Lines" is the story of one such team, made up of five international cops, headed by Captain Daniel. The team - comprised of individuals who have little in common - must learn to live and work under the most dangerous and potentially deadly conditions. Housed in an unused storage section underneath the ICC, this mismatched team faces bureaucratic, jurisdictional and cultural obstacles while traversing continents in pursuit of justice.

Sjene prošlosti

Paula

Marta, Paula, Ana and Olga are four friends who live the lives of typical high school girls, but when Marta decides it's time to dethrone Olga from her throne of popularity, she prepares a cruel prank for her and their friendship falls apart, changing Olga's life forever. Twenty years later, Olga returns to their lives and the paths of the four former friends intertwine again.

The Paper

Hana Mašić

The last independent newsroom in the country is taken over by a construction magnate for the reasons that have nothing to do with love or respect for journalism.

Mountain

Tea

Procedural drama television series that follows a mountain rescue team. Episodes feature rescue missions ranging from illegal activities, natural disasters, and reckless conduct - to lighter fares such as eternally unprepared tourists.

Guardian of the Castle

Lidija

Croatia in the 1980-s: in terms of politics, things are happening that will change the map of the Europe by the end of the century. The National Security Service (UDBA) is still one of the most active and most effective intelligent communities in Europe. Boris Biscan, UDBA's old employee, is a witness to all the changes going about - the professionals are replaced by the criminals from UDBA, who are willing to deal with political emigrants, offering them political protection in return for their services. Boris is lost in this new world, and the old one has obviously come to its end.

ZG80

Filipova djevojka Ana

ZG80 is a prequel of Metastaze. The movie brings back its characters to prewar Yugoslavia where they, as part of Bad Blue Boys, go on a football match in Belgrade to see Dinamo play against Crvena Zvezda. They encounter guest fans, their arch rivals Delije, in a series of events that lead to football fans war on the streets of Belgrade.

When Neighbors Go Mad

Mirela

No description available

Escort

Iva

For the first time in his life, Miro (40) spends the night with a prostitute someone sent to him in a hotel after a business.

Partenza

The video installation entitled Partenza (Italian for departure, and used in many of Croatia’s island and coastal dialects) express the global insecurity of contemporary society and the fragility of human existence. Metaphorically, they address a story about departure, waiting and separation, dictated by migrations. In the early 20th century, it was usual yet traumatic for men to leave Croatian islands (mostly bound for the countries of South America) due to poverty and hunger. One of these tragic stories is weaved into the author’s family history. The installation is inspired by the life story of Renata’s great-grandmother who lived on the island of Brač, whose husband went to Chile looking for work in order to secure his family’s future. Like many of the island’s women, she waited for her husband who, like many of the men, never returned.

Yet Another Departure

In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba diving attraction in Croatia. The ship lies on the seabed of the waters close to Brijuni Islands where in 1956 Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the formation of the Non-aligned Movement. By employing visually impressive shots, the film establishes a signature spatial and temporal narrative, at the same time entering the space of fusion of personal and collective memory and dismemory, which, in the context of political and economic changes that have been occurring in Croatian society for the past several decades, acquire metaphorical and symbolic meanings, imbued with powerful socio-psychological implications.