Sabine Devieilhe

The Magic Flute

Queen Of The Night

A seventeen year old travels from London to the Austrian Alps to attend the legendary Mozart boarding school. There, he discovers a centuries-old forgotten passageway into the fantastic world of Mozart's "The Magic Flute".

Royal Opera House: The Magic Flute

Queen of the Night

Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.

Le Concert de la Paix

Self : Guest

No description available

Mozart: Die Zauberflöte

Queen of the Night

Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.

Orpheus and Eurydice

Eurydice

Romeo Castellucci's production of Christoph Willibald Gluck's mythic opera. Concurrently via projected text, we learn the story of Els, a bedridden woman with locked-in syndrome, conscious but near-completely paralyzed. A live video feed from the hospital shows Els listening to the music along with the audience.

Ravel in a Thousand Sparkles

Self - Soprano

A musical and visual account of the life and exceptional and immortal work of the French composer Maurice Ravel (1875-1937).

Lakmé

Lakmé

No description available

Zaïde, or The Path of Light @ Salzburg Festival 2025

The Pygmalion Ensemble, led by conductor and countertenor Raphaël Pichon, is renowned for its refined sound on period instruments. Together with vocal stars Sabine Devieilhe, Lea Desandre, Johannes Martin Kränzle, Julian Prégardien, and Daniel Behle, the ensemble delves into rarely performed works by Wolfgang Amadeus Mozart.

In Search of Bach III. Actus Tragicus

Raphaël Pichon and the Pygmalion ensemble join forces with a magnificent vocal ensemble to perform Johann Sebastian Bach's cantata Actus Tragicus, set to a work by Johann Michael Bach. Program : Johann Michael Bach - Unser Leben ist siebenzig Jahre Jean-Sébastien Bach - Cantate Actus Tragicus BWV 106 (extraits)

Concert for Notre-Dame La Tempête | Sabine Devieilhe | Olivier Latry

Simon-Pierre Bestion celebrates the musical and cultural heritage of Paris' Notre-Dame with the La Tempête ensemble and a host of guests like Sabine Devieilhe and Olivier Latry, among others.

Le Nozze di Figaro

Susanna

This Salzburg Festival production of Le nozze di Figaro (2020) offers a radical reinterpretation of Mozart's opera, directed by Martin Kušej, who continues his exploration of Mozart’s works following Don Giovanni (2002) and La clemenza di Tito (2003). The turbulent comedy, laden with erotic entanglements, exposes themes of patriarchal dependency, sexual exploitation, betrayal, and emotional emptiness. French conductor Raphaël Pichon, renowned for historically informed performances, conducts his first opera at Salzburg after his debut at the festival in 2018.

The Magic Flute

Königin der Nacht

The Magic Flute by Mozart at La Monnaie.

Ariane à Naxos

Zerbinetta

A staging of Richard Strauss' opera "Ariadne auf Naxos" by Katie Mitchell. Recorded at the Festival d'Aix-en-Provence.

Pelléas et Mélisande

Mélisande

In Wajdi Mouawad's "brilliantly involving" new Paris Opera production of Debussy's only opera, Pelléas et Mélisande, French soprano Sabine Devieilhe is "as near to perfection as one might wish for: a voice of exquisite beauty and sung as if the role [of Mélisande] had been written especially for her" (Opera Today) and Huw Montague Rendall, as Pelléas, projects a "faultless French phrasing, endowing [Pelléas] with the perfect blend of freshness and candor" (Bachtrack). Based on the classic symbolist play by Maurice Maeterlinck that the composer found to contain "far more humanity" than realism, Pelléas et Mélisande sets a tragic love triangle against some of Debussy's most soaringly dramatic music, all its Wagnerian flourishes brought out by Antonello Manacorda and the Paris Opera Orchestra.

Acante et Céphise, ou La Sympathie - Théâtre des Champs-Elysées

Céphise

The story concerns a pair of lovers, Acante and Céphise, who suffer at the hands of a wicked genie Oroès. They are saved by the good fairy Zirphile, who uses her magic powers, including the gift of telepathy (the sympathie of the title), to defeat Oroès.

In Search of Bach II. Wedding Cantata

Raphaël Pichon, Pygmalion and Sabine Devieilhe celebrate Bach and love in the very church where the composer married his first wife, Maria Barbara. Program : J. S. Bach - Aria 1 de la cantate « Weichet nur betrübte Schatten » BWV 202

The Abduction from the Seraglio

Blonde

A Mozart opera at La Scala in Milan.

Hamlet : Opéra-Comique

Ophélie

“To be, or not to be..." You probably know the question, but perhaps not Cyril Teste's answer! A stage director famed for his fascinating fusion of theater and film, he stages the opera Hamlet for the first time in this production starring a brilliant group of soloists led by Stéphane Degout, Sabine Devieilhe, Laurent Alvaro, and Sylvie Brunet-Grupposo.

In Search of Bach I. Welt, Gute Nacht

Raphaël Pichon and the Pygmalion Ensemble in concert in Arnstadt's Oberkirche, Johann Sebastian Bach's ancestral church.

Il Trionfo del Tempo e del Disinganno

Composed in 1707 in Rome, Handel's Il Trionfo del Tempo e del Disinganno is an oratorio in two parts with a libretto written by Cardinal Benedetto Pamphili. Staged by Krzysztof Warlikowski and conducted by Emmanuelle Haïm, this sublime performance was presented at the Aix-en-Provence Festival in 2016.