Márgara Alonso

Tiempo final

No description available

Los simuladores

A small team of con artists for hire use their skills to solve common people's life problems.

The Eyes of the Scissors

Mendiga

Close-up to a man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.

A Day in Paradise

Doña Paula

A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Yo tenía un plazo fijo

Two friends are looking to earn easy money by gathering people to help them deposit a large sum of money in a fixed term of seven days, to live on the interests, which are higher the greater the amount deposited. This has immediate consequences on the lifestyle of the characters, who are increasingly ambitious. Portrait of the Argentine middle class in full hyperinflation, when financial speculation was the order of the day by the man in the street.

Cautiva

Sister Teresa

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Yepeto

Yepeto is a professor in his 50's, a prestigious writer who holds a chair in the literature department. Cecilia, an 18 year old student is the object of Antonio's desire. (Antonio is a young athlete, also very attractive.) Yepeto starts to feel passionately, but silently attracted to Cecilia, while at the same time, builds up his friendship with Antonio. Will this force Yepeto to give up, out of loyalty to his friend and student Antonio, all contact with his desired student Cecilia

I, the Worst of All

A 17th-century Mexican nun defies expectations by becoming a renowned intellectual and writer during the Spanish Inquisition.

The Arrangement

Luis is a righteous man who begins a struggle and a moral debate with his family, neighbors and close friends when a corrupt municipal official offers a very convenient "arrangement".

Los amores de Laurita

Laurita, a 40-year-old woman, accepts taboos of all kinds. In the search for an identity, she goes from one man to another, from the present to the past, from fantasy to reality. However, there is a tension that grows and grows, until it culminates in a surprise. Her memory goes back to review her loves and the different stages of her life: adolescence, her transgressing role and her fight against her own prejudices.

Flores robadas en los jardines de Quilmes

After a chance meeting, two former lovers look back on their relationship.

Rompecorazones

Emilia

A woman wants to have a child and her husband doesn't, so she has an affair with a mechanic to get pregnant.

Historias Breves 2

(Segmento: Alma Zen)

No description available

I Won't Go Back Home

A noir vision of a paranoid and dangerous Buenos Aires where a group of diverse Porteños are fatefully linked by a brutal killing.

El caso María Soledad

Hermana monja

The film is a fictional chronicle of a resonant police case that occurred in the city of Catamarca: the crime of the young María Soledad Morales, which had great public repercussion due to the links with the power of the culprits.

Ángel, la diva y yo

Tatara

Buenos Aires at the end of the millennium a young filmmaker hopeless about their future decides to film his last act.

Casi no nos dimos cuenta

A woman describes to her psychoanalyst the details of how she met her partner until the moment of their separation.

Flop

A review of fiction about the life of Florencio Parravicini.

La muerte de Sebastián Arache y su pobre entierro

A legend of curses and death in an austere and dry desert where rain will not fall. The story focuses on the experiences and misery of an indigenous man who meets his death in the middle of the film. The dead time and the morosity of the story operate as the stylistic foundation of this indispensable national film that was shot in Patquía, La Rioja.

Susana quiere, el negro también!

La nona

A prostitute and her homosexual friend arrive from the interior and meet a widowed man.