Hirokazu Kore-eda

Director

June 6, 1962 (64 years)

Tokyo, Japan

Biography

Hirokazu Kore-eda (born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films, including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016). He won the Jury Prize at the 2013 Cannes Film Festival for Like Father, Like Son and won the Palme d'Or at the 2018 Cannes Film Festival for Shoplifters. Description above from the Wikipedia article Hirokazu Kore-eda, licensed…

Filmography

7.9

Monster

After an outburst at school involving her son, a concerned single mother demands answers, triggering a sequence of deepening suspicion and turmoil.

7.6

The Makanai: Cooking for the Maiko House

Two inseparable friends move to Kyoto to chase their dreams of becoming maiko, but decide to pursue different passions while living under the same roof.

7.8

Shoplifters

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.

4.8

Sheep in the Box

Set in the near future, Otone Komoto works as an architect. She is married to Kensuke Komoto, who runs a construction company. The married couple decide to welcome a humanoid robot into their home as their son.

8.0

Asura

In 1979 Tokyo, four distinct sisters uncover their aging father's affair, causing their happy facades and bottled-up emotions to slowly unravel.

7.7

Like Father, Like Son

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

8.0

Kaidan Horror Classics

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

8.0

Nobody Knows

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

7.8

A Day-Off of Kasumi Arimura

Kasumi Arimura suddenly gets a break from filming and returns to her hometown for the first time in a long while. Her mother, Yumiko, comes to the train station to pick her up and they head for the family home.

7.6

Our Little Sister

After the death of their estranged father, 3 adult sisters invite their teenaged half-sister to live with them.

7.1

Going My Home

Ryota, a timid salaryman who has difficulties fitting in at home and work has his average life changed after his estranged father falls ill. Along with his wife Sae and their only child Moe, he travels to his father's country town, where he begins to uncover his father's mysterious past spent searching for a mythical creature.

7.2

Broker

Sang-hyun is always struggling from debt, and Dong-soo works at a baby box facility. On a rainy night, they steal the baby Woo-sung, who was left in the baby box, to sell him at a good price. Meanwhile, detectives were watching, and they quietly track them down to capture the crucial evidence.

7.8

Still Walking

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.

7.2

After Life

On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.

7.2

After the Storm

Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

7.5

Maborosi

A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.

6.6

The Third Murder

A lawyer tasked with defending a robbery-and-murder suspect begins developing doubts about what truly happened.

6.9

Air Doll

A life-size, inflatable sex doll suddenly comes to life one day. Without her owner knowing, she goes for a walk around town and falls in love with Junichi. She starts to date Junichi and gets a job at the same store where he works. Everything seems to be going perfectly for her until something unexpected happens.

6.0

The Truth

Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.

6.6

Hana

In a poor district of Edo lives a young samurai named Soza. He has been sent by his clan to avenge the death of his father. He isn't an accomplished swordsman however, and he prefers sharing the life of the residents, teaching the kids how to write etc. When he finally finds the man he is looking for, he will have to decide whether he follows the way of the samurai or chooses peace and reconciliation.