María Luisa Ponte

Curro Jiménez

Condesa di Alloro

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

The Nest

Amparo

In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.

Eugenie

Madame Mistival

A young woman is lured to an island paradise, where she is drawn into a dark world of pleasure, pain, and murder under the control of a sinister figure.

Fortunata and Jacinta

Lupe Rubín

The aristocrat Juan de Santa Cruz meets Fortunata, a girl of humble origins, and a passionate love arises between them; but his mother decides to marry him to her niece Jacinta.

Segunda Enseñanza

No description available

The Executioner

Estefanía, esposa de Antonio

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

El pícaro

La posadera

In 17th-century Spain, Lucas Trapaza is a lazy liar and con artist who does everything he can to live off others.

Los camioneros

Madre

No description available

Lorca: Death of a Poet

Dolores la Colorina

Lorca, a great Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27. He was executed by Nationalist forces at the beginning of the Spanish Civil War. Nickolas Grace gives a fabulous interpretation in the title role and he even bears a remarkable resemblance to Lorca.

The Heifer

Juana

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

The Wheelchair

Matilde

Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…

La Regenta

Petronila Rianzares

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores’s life unbearable and inevitably tragic.

The Beehive

Doña Rosa

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

The Court of the Pharaoh

Patricia

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

Las Chicas de Hoy en Día

Rafaela

No description available

La petición

Francisca

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

La Regenta

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Hooray for Divorce!

Enfermera

David is married and has no children. However, outside of marriage, he has longstanding relationships with Susi and Laly, with whom he has had a child with each. He has promised both of then, separately of course, that when the divorce is permitted in Spain he will separate from his wife and regularize his situation with them. Divorce law is approved and conflicts begin. He cannot marry the two together.

Voyage to Nowhere

Julia Iniesta

The Iniesta-Galván family is a theatre company that goes from town to town offering its performances. Over the years, its members will have to adapt to changes and make decisions, like that of whether or not to continue performing. One day, unexpectedly, a son that he has fathered on his travels presents himself to Carlos Galván.

Mentirosa

Nina, secretary of the lawyer Mr. Mendoza, is an imaginative liar. Because of her work, she has access to the will of an old millionaire who died naming as the sole beneficiary his daughter, the fruit of a love affair of youth. Only the millionaire's sister, the widow of Martiarena, knows who she is and where she lives. Nina decides to impersonate her and, to his astonishment, is recognized as the real daughter by the sister. But the housekeeper and the doctor of Mrs. Martiarena decide to resolve the situation.