Róbert I. Douglas

Director

June 4, 1973 (53 years)

Reykjavik, Iceland

Biography

Róbert Ingi Douglas (born 4 June 1973 in Reykjavík) is an Icelandic film director, screenwriter and cinematographer who made his feature film debut with Íslenski draumurinn (2000).[1] That film became a sleeper hit in the summer of 2000 becoming one of Iceland's biggest box-office hits that year. Róbert Douglas followed the success of his first film with a darker film about subtle racism in Iceland's society, A Man Like Me (2002). That film proved to be another commercial success in Iceland. Dou…

Filmography

8.3

The Icelandic Dream

A business man and weekend dad is getting worn down by family trouble, business failure and the continuous loss of his favorite football team. He decides to start importing Bulgarian energy cigarettes in a last ditch attempt at success ... his best friend soon advises that suicide might be his best option.

5.4

Eleven Men Out

The star player of Icelands top football team causes a stir when he admits to being gay to his team mates and then goes on a journey to discover himself (with the help of the local press). He soon finds himself on the bench for most of his teams matches and decides to call it quits and join a small amateur team made up of men like himself - gay guys trying to play football in a straight world of Icelandic fishing culture machoism

7.0

A Man Like Me

A postal worker falls in love with the Chinese waitress at a Chinese restaurant. They start dating and quickly fall in and out of love, the waitress returning to China. The young man looks for comfort in his father but he's too preoccupied with winning the Eurovision song contest. After listening to loser friends talk about what Sylvester Stallone would do in his situation, the postal worker decides to buy a ticket to China and follow his love to her home.

8.1

This Is Sanlitun

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.

N/A

Men Ain't No Bitches

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