Jürgen Jürges

Camera operator

December 12, 1940 (85 years)

Hannover, Germany

Biography

Jürgen Jürges (born 12 December 1940) is one of the most distinguished German cinematographers. His body of work includes more than 100 films. His work includes many classics of film history, such as the feature films “Angst essen Seele auf,” “Satansbraten” and “Christiane F. – Wir Kinder vom Bahnhof Zoo,” but also international film productions, such as “Funny Games” and most recently the “DAU” series. His camera work has been honored with numerous awards, including the German Camera Award (mu…

Filmography

6.2

Scene of the Crime

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

7.3

Funny Games

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

7.3

Christiane F.

A teen girl in 1970s Berlin becomes addicted to heroin. Everything in her life slowly begins to distort and disappear as she befriends a small crew of junkies and falls in love with a drug-abusing male prostitute.

7.1

John Rabe

A true-story account of a German businessman who saved more than 200,000 Chinese during the Nanjing massacre in 1937-38.

6.7

Code Unknown

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.

7.7

Ali: Fear Eats the Soul

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

4.5

The Venus Trap

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

6.9

Faraway, So Close!

A group of angels look longingly upon the life of humans. Berlin now is a very different place: unified in name but overrun with crime, corruption, and—in what turns out to be a key theme here—Americans.

4.3

DAU. Katya Tanya

Katya, a young librarian, believes in love, but her ideals are crushed by reality. After a string of disappointing affairs, Katya finally finds tenderness and understanding in the arms of her colleague, a journalist called Tanya. But then the First Department interferes: the state security services see this relationship as unacceptable for a Soviet woman.

6.6

Effi Briest

When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.

4.7

Four Windows

They want to get away from each other, but they clasp each other even more firmly. They seek to save appearances at all force. The more they laugh, the quieter it gets around them. The cracks in the family picture widen until an inescapable secret reveals itself.

5.3

Clara

A look at the lives of 19th-century composers Clara and Robert Schumann.

6.3

Germany in Autumn

Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.

6.3

Satan’s Brew

A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dimwitted brother, and a murder investigation.

4.5

About the Looking for and the Finding of Love

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.

5.1

A Woman in Flames

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

6.0

Me and Kaminski

Young journalist Sebastian Zöllner is writing an article on artist Manuel Kaminski. Zöllner hopes that Kaminski dies soon, so that he can cash in on his article.

4.0

DAU. Cinema

An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.

6.6

Young Törless

At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.

2.8

DAU. New Man

Maxim and his comrades-in-arms are participating in top-secret experiments into the creation of a new man. The employees of the secret Institute are characterised by everything Maxim detests: alcoholism, depravity, weak will, loss of ideals, and lack of faith in the future. Vika, one of the waitresses in the Institute's cafeteria, falls in love with the young communist, though she is scared by his fascination with eugenics and his violent tendencies. Vika hopes that her passion and tenderness will soften Maxim, while the state security agents keep a watchful eye on their developing relationship.