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Director
José Viana de Oliveira Paula (Fortaleza, May 5, 1938), better known as Zelito Viana, is a Brazilian filmmaker.
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The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.
Little Indian boy survives his tribe massacre, growing up together with his wish for revenge and his quest for his own identity. Based on a true story.
Erotic comedy in five segments, starring the same actor, Chico Anysio: O Torneio (The Tournament), A Boca (The Mouth), O Filminho (The Short Film), A Suspeita (The Suspicion) and O Apartamento (The Apartment).
The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.
The story of Severino, a man who tries to escape the misery and the drought prevailing in the rural backcountry of the Northeast of Brazil. He heads for Recife, passing through desert and forest regions, expecting to find a better life.
A day in the life of Brazilian president Juscelino Kubitschek, in a troubled period of his term, while he maintains a secret love affair.
In São Paulo, during the 1920s, a woman who is loved by a telegraphist and seduced by a slacker ends up in prostitution.
Middle-class teenage girl has a serious boyfriend that her parents approve of. Suddenly, she meets another boy with whom she is shown to have a greater identification.
Documents the arrival of progress with the construction of the Belém-Brasília highway, to improve the living conditions of the people in the cities in the interior of the country. It also presents interviews with people from the region, who express their opinion about the benefits brought by the highway.
The movie "Augusto Boal and the Theatre of the Oppressed" shows the path of the dramaturgo Augusto Boal at the creation of a theatre that has as objective to transform those who participate it in a spiral of changes, in an oppressing society. Along the trajectory we see Boal's intellectual search and the transformations of the Brazilian society, from the 60s to nowadays. The spectator will meet the numerous uses of the Theatre of the Oppressed around the world (there are groups in 77 countries) and how they manifest in different situations, characterized by the relation between the oppressor and the oppressed, from the biggest to the smallest powers.
A collection of testimonies from Brazilian indigenous people about the interests of FUNAI (National Foundation for Indigenous Peoples), multinational corporations, and large landowners behind the disastrous policy of indigenous emancipation in Brazil. Narrated by Fernanda Montenegro.
Popular manifestation in extinction, presented with its local musicians and their handmade instruments.
