John Cale

The Equalizer

Aryan Leader

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

The Bridge

A murdered body on a bridge between El Paso and Juarez bring together El Paso detective Sonya Cross and Chihuahua State Police detective Marco Ruiz.

Rockpalast

Self (piano guitar vocal)

No description available

Everybody's Live with John Mulaney

Self - Musician / Musical Guest

John Mulaney conducts the first-ever celebrity sit-down talk show. Live every week.

Seven Ages of Rock

Self

A definitive landmark series charting the emergence and re-emergence of rock music as a global force, told through the musicians who have shaped this most enduring of genres.

The Velvet Underground

Self

Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.

Gimme Danger

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

Hallelujah: Leonard Cohen, a Journey, a Song

Self

This feature-length documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, Hallelujah.

Superstar: The Life and Times of Andy Warhol

Iconic American artist and filmmaker Andy Warhol is the subject of this documentary, which looks at both his life and his influence on pop culture. The film provides details about Warhol's upbringing in Pittsburgh and follows his move to New York City, where he found massive success turning pop imagery into art and eventually founded "The Factory," his famed studio and party venue. Among the many notables interviewed are Dennis Hopper, David Hockney, and Roy Lichtenstein.

Love Twice

Lester

"What do you do when the spark touches down-brief and hot?" So begins award-winning director Rob Nilsson's (Permission to Touch, MVFF 2015; A Bridge to a Border, MVFF 2014) provocative meditation on the Möbius relationship of fiction to reality, and the notion of creative control. In Love Twice, Luz and Ken are star-crossed lovers in screenwriter Sal's script, until their desire takes shape, inscribing itself into a movie of their own design. Risking his sanity to save the screenplay, Sal struggles to regain control of his characters and satisfy the demands of his producer Lester (legendary Velvet Underground founder John Cale), driving a wedge between the lovers with a desperate attempt to seduce Luz.

Danny Says

Self (archive footage)

DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.

Four Stars

Man (uncredited)

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

Lou Reed - Remembered

Film tribute to Lou Reed, who died in October, which looks at the extraordinarily transgressive life and career of one of rock 'n' roll's true originals With the help of friends, fellow musicians, critics and those who have been inspired not only by his music but also by his famously contrary approach to almost everything, the documentary looks at how Reed not only helped to shape a generation but also helped to create a truly alternative, independent rock scene, while also providing New York with its most provocative and potent soundtrack. With contributions from Bob Ezrin, Mick Rock, Lenny Kaye, Paul Auster, Moe Tucker, Boy George, Thurston Moore, Andrew Wylie, Victor Bockris, Holly Woodlawn, Mary Woronov and Steve Hunter.

Nico Icon

Self

A look into the many lives of Christa Päffgen, otherwise known as Nico; from cutie German mädchen to the first of the supermodels, to glamorous diva of the Velvet Underground, to cult item, junkie and hag. Many faces for the same woman, whom, you realize, just couldn't bring herself to care enough to live.

Punk: Attitude

Self

From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.

Brian Wilson: I Just Wasn't Made for These Times

Self

I Just Wasn't Made for These Times is a documentary about the life of Brian Wilson, the musical mastermind and songwriter for the Beach Boys. The film examines the ups and downs of Wilson's life, including the early years of the Beach Boys, his years of substance abuse, and his long road to recovery.

Lou Reed and John Cale: Songs for Drella

Self

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Andy Warhol Screen Tests

Self

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.

The Velvet Underground and Nico: A Symphony of Sound

Self

The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

Beautiful Mistake

This documentary film follows a group of Welsh musicians interacting and playing in the studio. Combining shots of the city with the music of John Cale as performed by Welsh stars such as Catatonia, Big Leaves and Manic Street Preachers.