Warwick Thornton

Director

July 23, 1970 (55 years)

Alice Springs, Northern Territory, Australia

Biography

Warwick Thornton (born 23 July, 1970; Alice Springs) is an Australian film director, screenwriter and cinematographer. His debut feature film Samson and Delilah won the Caméra d'Or at the 2009 Cannes Film Festival and the award for Best Film at the Asia Pacific Screen Awards. He also won the Asia Pacific Screen Award for Best Film in 2017 for Sweet Country. Thornton is a Kaytetye man born and raised in Alice Springs. His mother Freda Glynn co-founded and was the first director of the Central A…

Filmography

6.3

Firebite

In a remote South-Australian desert mining town — a hive for the last vampire stronghold — two Indigenous Australian hunters embark on a quest to battle the last colony of vampires.

6.9

Mystery Road

When there is a mysterious disappearance on an outback cattle station, Detective Jay Swan is assigned to investigate. Working with local cop Emma James, Jay’s investigation uncovers a past injustice that threatens the fabric of the whole community.

6.0

The New Boy

In a remote monastery in 1940s Australia, a mission for Aboriginal children is run by a renegade nun, Sister Eileen. A new charge is delivered in the dead of night – a boy who appears to have special powers. When the monastery takes possession of a precious relic, a large carving of Christ on the cross, the new boy encounters Jesus for the first time and is transfixed. However, the boy’s Indigenous spiritual life does not gel with the mission’s Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy, in this story of spiritual struggle and the cost of survival.

6.4

Kangaroo

Ex TV personality, Chris Masterman, becomes stranded in an Outback town outside Alice Springs. There, he teams up with 12-year-old Indigenous girl Charlie. The pair form an unlikely friendship and work together to rescue and rehabilitate orphaned joeys in the remote but stunning Outback community—an endeavour that proves to be life-changing for them both.

5.7

The Turning

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

6.7

The Beach

Filmmaker Warwick Thornton's international success has come at a personal cost. He has reached a crossroad in his life and something has to change. He has chosen to try giving up life in the fast lane for a while, to go it alone, on an isolated beach in one of the most beautiful yet brutal environments in the world, to see if he can transform and heal his life.

9.0

Wolfram

1930s Australia, the colonial frontier: two swaggering outlaws roll into a mining town and unleash a wave of cruelty, leading three kids to break free from their white masters and set off across the 'sweet country' of central Australia in search of a safe home.

6.6

Sweet Country

In 1929, an Australian Aboriginal stockman kills a white station owner in self-defense and goes on the lam, pursued by a posse.

5.7

Words with Gods

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.

6.3

Samson and Delilah

Samson, a cheeky 15-year-old boy, and Delilah, live in an isolated Aboriginal community in the Central Australian desert. The two teenagers soon discover that life outside the community can be cruel. Lost, unwanted and alone they discover that life isn’t always fair, but love never judges.

N/A

First Warrior

Australia was colonized in the late 1700s. Pemulwuy, a man of the Bidjigal tribes — from the region that is today modern-day Sydney — led a 12-year resistance against British settlers moving into his people’s traditional lands.

9.0

The Darkside

Writer and Director Warwick Thornton has assembled a collection of the most poignant, sad, funny and absurd ghost stories from around Australia. He will bring them to life with the help of some of Australia's most iconic actors as the storytellers.

8.5

Green Bush

An Australian Aboriginal DJ realizes that his job at the country radio station is about more than just playing music.

6.7

We Don't Need a Map

Filmmaker Warwick Thornton investigates our relationship to the Southern Cross, in this fun and thought provoking ride through Australia's cultural and political landscape.

5.5

Mimi

A white collector of Aboriginal art gets a shock when the Mimi sculpture she purchased comes to life.

6.2

Nana

Nana’s granddaughter thinks Nana’s pretty special. She loves her Nana because she helps the old people, she’s a good painter and other people love her too. Nana’s got everyone under control.

N/A

Rosalie's Journey

In 1955, filmmaker Chauvel debuted Jedda. His star was a young Arrernte woman from Alice Springs named Ngarla Kunoth, or Rosalie. Her story, the story of what happened before and after Chauvel's film, is told in Rosalie's Journey.

N/A

Meth Kelly

Meth Kelly explores how Australia’s colonial frontier narrative has been shaped by the imaginary heroic actions of the cult figure Ned Kelly. Through a video work projected in one of the shadowy tunnels of the ex-convict structures at Cockatoo Island, this work questions the legitimacy of Kelly’s hero status through a modern reinterpretation of his moral persona. Thornton skews the national narrative rooted in the romance of a Western, by transforming Kelly into a “meth head robbing a 7 Eleven”, placing him in a banal (sub)urban delinquent realm, far removed from cult status. Commissioned by the Biennale of Sydney.

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