Carmen Barros

Sigamos de largo

Self

The most important events of the day, with a relaxed tone and high doses of humor. Each episode tackles the most relevant events that dominate the public eye, with guests who contribute their views on the matter.

La noche es nuestra

Self

No description available

El día menos pensado

Rosario's Mother

Stories of paranormal activities and extraordinary nature -allegedly- based on real events.

Algo personal

Self

No description available

Papi Ricky

Julia Merino

The relationship between Ricky and his daughter will suffer when the girl's mother returns and wants her back.

Cara a cara

Self

No description available

Vidas en riesgo

Dolores

Dr. Ayala and Dr. Martínez attend different medical emergencies and do their best to save their patient’s lives, who usually arrive in life-threatening conditions.

Viva la pipol

Self

Contests, reporting segments and conversation with interesting guests. All done in a pleasant and down-to-earth way for all the Chilean family watching.

Los años dorados

Carmen

The story of three women (and one of them's mother) who share a flat in Viña del Mar, Chile. Remake of the American TV series "The Golden Girls".

La canción de tu vida

Marcela's Grandmother

Eight people meet the famous Chilean radio host, "El Rumpy," and tell him about their love or heartbreak experiences. Be it a drama or a happy ending, there is a song that is part of the story, and the story is part of the song.

Volver a mí

Conchita

The story focuses on the rehabilitation of different people who for different reasons have turned to drugs, alcohol, pills and other types of toxins in order to forget their problems.

Crónica de un hombre santo

Julia Cruchaga

The life, work and death of the Chilean Jesuit priest and founder of "Hogar de Cristo" (Home of Christ), San Alberto Hurtado Cruchaga.

The Guest

Mina

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

The Devil's Liquor

Elliana

Old man Eladio is dying. Throughout the last decades, he has lived alone, working in his old liquor factory. Modernity threatens his spirits business, but he refuses to abandon it. A visit by his oldest grandson will be the ideal moment to save the factory, while at the same time, reconnect with his family.

Loco Fever

Juana

When the Chilean officials lift the ban on harvesting the shellfish "el loco" (which purportedly is an aphrodisiac) in the seaside village of Puerto Gala greed and lust take hold. Greed is embodied by Carlos Maldonato, "El Canuto," who attempts to buy all of the shellfish for a Japanese company, and by a traveling band of prostitutes that accompany the influx of fishermen. El Canuto also wrangles to get into good stead with an old flame, Sonia, who is now the proprietor of "La Pincoya," a local restaurant. But "el loco" proves more effective, and more damaging, than anyone could have guessed.

The House We Live In

Luchita

A portrait of a Chilean middle-class family in the 1940s and 1970s.

Perla

A female mutt called "Perla" (Pearl) is abandoned by her owner on the top of the San Cristobal hill, in the capital city of Santiago, Chile. Without knowing what to do, soon Perla is part of the huge amount of street city dogs. Until the day she meets Samuel, a troubled man, and they both start the way of mutual recovery.

Un cuento de dos mujeres

Clarita

Elena is forced to rent the apartment she shared with her friend, who has just passed away.After several encounters with different people, Elena decides to put aside her fears and opens up to the world that surrounds her.

Viejos amores

Herself

Seven actresses talk about their lives, their characters, the history of Chile and the construction of the national theater, of their loves and their anecdotes, of those who are and those who have left.

Rosita, The Favorite of The Third Reich

The life of Rosita Serrano, the "Chilean nightingale" who entertained the Nazis when she was living in Berlin 1937-1943. In 1943 while on tour in Sweden, Serrano was accused by Germany of being a spy—she had donated a benefit performance to Jewish refugees. Rather than returning to Germany to be arrested, she traveled to Chile.